Chloe Tucker has worked across development, production and commissioning in HETV. Most recently, Chloe was a commissioner at ITV where she looked after Unsaid Stories, Maryland, teen drama Tell Me Everything and an adaptation of The Confessions of Frannie Langton, alongside returning series and developing a slate.

Previously, Chloe was a Commissioning Executive in the Channel 4 drama team, working with writers including Jack Thorne (on The Accident), and on productions including Kiss Me First and My Mad Fat Diary, as well as overseeing Channel 4’s award-winning continuing drama, Hollyoaks. Before this, Chloe worked as a Script Editor in Channel 4 drama, working on productions that included Fresh Meat, Babylon, The Aliens, Glue and Youngers.

Prior to joining Channel 4, Chloe worked as a Script Editor across a range of dramas including Skins, Waterloo Road and Secret Diary of a Call Girl, and before that she was at CBBC where she developed Spirit Warriors with Jo Ho.

Chloe is of British and Myanmar heritage, with a British father and an Anglo-Karen mother who emigrated to the UK.

Christopher Kam is the Director of Scripted Development at Universal International Studios in London, where he oversees and manages UK facing scripted progammes and co-productions. He works with writers, producers, heads of departments and other senior executives to develop shows to sell to international broadcasters and SVOD platforms. Kam is the UK Studio executive across Heyday TV (David Heyman’s production company) and for the podcast and multimedia company Story Hunter. He has worked across the creative on projects such as HANNA Season 1 (Amazon – Showrunner: David Farr) and The Capture Seasons 1 and 2 (BBC – Showrunner: Ben Chanan) and also script edited The Long Song (BBC series – director: Mahalia Belo).

In 2018, he brokered the partnership between Soho Theatre and Universal International Studios, which sponsors the Soho Theatres Writers Lab, Tony Craze Awards and Soho Six. He has also set up and led writers' programmes including a Podcast Development Scheme, OVERHEARD, and a Diversity and Inclusion programme, PERSPECTIVE.

Originally from Australia, he previously worked in house at Matchbox Pictures working on projects including Glitch, Nowhere Boys, and Cut Snake.

Judith is an Executive Director in Coutts Media and heads up the development of new business opportunities. She is responsible for originating and developing new media business across the team and has over 20 years experience in media financing, specialising in structuring film and television lending transactions. Judith began her career at NatWest Markets in Los Angeles as an Analyst where she spearheaded the Bank’s involvement with the independent film and television sectors, followed by five years at Ingenious Media, managing three equity funds principally investing in television content.

Wenying has more than 17 years’ experience in law firms and the legal sector. She practised corporate law in the New York office of White & Case LLP for 6 years before following her interest in training to become a lecturer at a London law school for 4 years, then subsequently moving into the training of critical business skills. Currently the Head of Learning and Development at MUFG, the largest Japanese bank, Wenying trains the organisation's bankers, lawyers, and other professionals in skills such as leadership, negotiation, drafting, and creative thinking. She has experience launching and overseeing a variety of mentoring and sponsorship programmes and has designed and delivered Diversity & Inclusion training to a wide range of companies. Wenying is a qualified solicitor in England and Wales, a qualified attorney in the State of New York, and holds law degrees from Oxford University and NYU School of Law. In her spare time, she enjoys writing fiction and non-fiction and is presently shopping a memoir about food in childhood reading. Wenying is Singaporean Chinese, with a Malaysian mother and Singaporean father.